"The outlook harmonics of architectural forms and landscapes modeled down to the details in which we are engaged, the absence in daily danger and fear stemming from the monstrous form dall'incommensurabilmente large or our security, to feel at ease in a environment of the project and the result of human rationality. Ascension el'Alaska are just the opposite: they are places dominated by great forces of nature, those that do not allow themselves to be tame, those that have shaped the planet. Food webs are visible, refer to the harsh rules of survival in the primordial life. We, with our canes, inflatable dinghy, a gas stove, a rifle and a few other gadgets, are one piece that crosses temporarily that world of hard and relentless and we've instinctive perception. The great energy coming out from these environments brutally invest the traveler is left bewildered and insecure and that's just because these feelings can turn into panic and anguish. "
"The wind has strengthened, even wave motion is more energetic, not to give up fish without danger to Steve propose to tie a rope with which we brought to the rocks behind us, but Steve did not seem to go through spring and not by any concern. Indeed, fully identified with the situation, as in the throes of a Dionysian potting does not hear and does not see except the sea and fish. Put the shoes on more protruding struts, remains miraculously in balance, only apparently unstable and pulls a fish after another, laughing and screaming when the wave washes him and two, three jacks are vying for popper that no one can take as long as l ' I love you just pinning on the mouth of the bony fish and then come off at once and under the pressure of the cane whistling through the air like bullets popper and tail. A half-bending of the back to avoid the blunt instrument, one false launch el'artificiale is again among the waves and the scene repeats itself.
Review translated from Italian by Google
Written by Alvaro Masseini
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22 x 24 cm |
